Investigating the role of Pilates in the posture and vocal production of singers
Larissa Kelloway · PhD
Artistry, inquiry, and the body
A practice that brings them together

Art and research belong together.
My work moves between performing, directing, teaching, and investigating how the body supports the voice. Each discipline informs the others: the questions that begin in a rehearsal room can lead to research, and research can reshape the way we teach and perform.
Conservatory training at WAAPA sits alongside a science background from the University of Western Australia, doctoral research at Macquarie University, and years of practice in Pilates and movement.
The research behind the practiceWAAPA
BA · Musical TheatreUniversity of Western Australia
BSc · HonoursMacquarie University
PhD · Pilates & singing
Musical theatre, cabaret, and the work of bringing a story to life—on stage and in the rehearsal room.
My repertoire spans musical theatre, jazz, and contemporary commercial music.
My work also includes directing musicals, plays, and cabaret, and providing vocal direction and dialect coaching for theatre.
Mezzo-soprano / belter · Vocal range E♭3–C6
Mom / Stephanie · The Creators Lab, SFBATCO
Eileen · The Creators Lab, SFBATCO
Donaldina Cameron · The Creators Lab, SFBATCO
Sally Cato and ensemble · 42nd Street Moon
Electra · Woodminster Summer Musicals
Belle and Grimhilde · Lucky Penny Productions
Understudy: Mrs Peacock and Mrs White · Center Repertory
Antonia and Dogberry · San Francisco Shakespeare Festival
Mrs Lancaster / Healer · San Francisco Playhouse
Assistant director; Lodovico / Gratiano · Inferno Theatre
Marion · Theatre Rhinoceros
Ensemble · Center Repertory
Michele · San Francisco Fringe
Ensemble · Gordon Frost Organisation
Vocal coach · Celeste Theatre, Cornerstone Arts Center · Colorado Springs, CO
Director · LeFevre Theater, Saint Mary’s College of California
Vocal coach · Rembe Stage, The Strand, American Conservatory Theater
Cabaret · Music in Place, Sonoma Museum of Art
Cabaret · The Garret, Toni Rembe Theatre, A.C.T.
Staged readings: Uncommon Birds, Agua Zero, and Assisi · Alternative Theater Ensemble and In the Margin, Forest Meadows Theater
Cabaret · Rembe Stage, The Strand, A.C.T.
Cabaret · The Rueff, The Strand, A.C.T.
Vocal and dialect direction · LeFevre Theater, Saint Mary’s College of California
Plays · Town Hall Theatre, Lafayette
Cabaret · The Garret, Toni Rembe Theatre, A.C.T.
Play by Genie Cartier · PianoFight, San Francisco
Cabaret · Martuni’s Piano Bar, San Francisco
Guest soloist and backup vocalist · Feinstein’s at the Nikko
Guest soloist and backup vocalist with Tom Reardon · Feinstein’s at the Nikko
Soloist and co-creator · The Academy SF; LCA
Soloist and producer · Z Space
Soloist and creator · Society Cabaret
A QUESTION AT THE HEART OF THE PRACTICE
My doctoral research explores Pilates as an adjunct practice for singers, with particular attention to musical theatre. It connects questions of posture, physical practice, and vocal production.
Larissa Kelloway · PhD
Voice, acting, and bodywork
My teaching brings performance experience into dialogue with voice research and movement practice. I work with the singer or actor as a whole person, with attention to how the body and voice work together.
Alongside my adjunct professor role at Saint Mary’s College in Moraga, CA, and my private vocal coaching studio, I am a faculty member of American Conservatory Theater, providing education, vocal coaching and directing across A.C.T.’s Young Conservatory and adult programs.
I am a member of the National Association of Teachers of Singing (NATS) and the Voice and Speech Trainers Association (VASTA). My movement practice draws on 27 years of experience, alongside training in classical and jazz ballet and contemporary dance.
Start a conversation about lessonsFor performance and directing enquiries, voice lessons, workshops, or research collaborations.
